For The Left Hand Alone uses the metaphor of phantom limb syndrome to explore themes of fragmented realities in a time when bombardment by digital information leaves many people feeling physically and mentally disconnected and disenchanted with reality. Set to the musical commissions of Paul Wittgenstein (a one-handed pianist), For the Left Hand Alone frames phantom pain as an unrequited longing, an incomplete figure, and the feeling of uncertainty in an increasingly disembodied world.

Love is Just a Four Letter Word, explores the way in which the love song and the montage reflect the shape of the market, a continuous rise and the fall, inflation and recession, falling in love, and then falling apart. The ongoing drive for more finds its re-enactment through our language, gestures and objects, calling into question how bodies and emotions are implicit in the reproduction and construction of these images; playing out a continuous fiction of late-capitalism that listlessly keeps us dreaming and yet, hungry for more.